Sergeant Hallie Michaels is called home from duty in Afghanistan with the awful news that her sister Dell has been killed in a tragic accident. But when Hallie gets off the plane and sees Dell's ghost, she begins to suspect that circumstances are not as simple as everyone wants her to think they are.
As Hallie begins looking into the circumstances behind Dell's death, she's brushed off as being too grief-stricken to accept that there was no foul play involved-- the sheriff even going so far to suggest it's a suicide. But Dell's ghostly presence tells Hallie that something else is happening. And when the ghosts of more young women begin to appear, Hallie realizes that something big is going on in her little town.
As Hallie returns to her old haunts in search of answers, she finds an unexpected ally in Boyd Davies, the new deputy sheriff, who always seems to be there when she needs him. But Boyd is also a mystery: too perfectly good looking and tidy to a fault. He seems to help Hallie even as he tries to dissuade her from digging into Del's death-- which only fuels Hallie's determination to find the truth.
Wide Open
is an interesting book. It has a different pace; one that feels a bit rambling and takes a little time to get used to. And I didn't think I was into the book until I unexpectedly teared-up when Hallie calls the fiance of a young man who was killed in her unit in Afghanistan-- one whose ghost followed her back home. Hallie knew what she was supposed to say, not just what was expected, but what was true, but she hadn't ever said it. And now she was saying it for a ghost who couldn't say if for himself. Shit. She pressed the heel of her hand against her cheekbone just under her right eye, sucked in a breath, and said, "He loved you. He did. He told me that you read books all the time and he couldn't get over that-- how many books you read, that you talked about them like they were real-- the characters in them and the things they did. He told me before he met you, he only cared about math, that he didn't think anyone needed any of that other stuff-- English and other languages and history. He said you made him see the world. He told me he didn't even know he wanted someone until he met you."
Estelle was crying hard now. Hallie rubbed a finger over her eye. "Look," she said. "I'm sorry. I'm-- it was stupid to call. I shouldn't have--"
No! It's all right! It's--" She drew in a breath. "Thank you. Just for a minute, I could see him again, like he was here."
That moment was a pivotal point for me in "Wide Open" because the only emotion displayed by Hallie up to this point was anger-- and it's still her dominant characteristic throughout. This humanizing moment adds a lot of depth to Hallie and gives us a window into a person who has seen too much and armored herself with a bitter emotional shell that doesn't come down except in moments of vulnerability; and those don't come often.
The supernatural elements of "Wide Open" are subtle for the most part. Rather than go for the more violent, harsh aspects that are featured so often in urban fantasy, Coates chooses to populate her story with ghosts that are generally passive, though determined to find closure to their unresolved issues. Hallie, having had her own brush with death, is the only one who can see the ghosts and it's a disquieting reminder of the war she expects to return to. Hallie's not the type to shy away from confrontation- and she does get into a scrape or two- but the story never veers into anything graphic, and I found that to be a nice change of pace.
Hallie is one of those characters I could never get a physical feel for as she isn't described in detail, but I felt I knew her nonetheless. Coates has a way of painting a picture of a personality and I could really relate to Hallie as she'd grit her teeth in impatience at a friend who would ramble on with pointless conversation or describe herself as "big-picture messy." The way she'd look for something to hit, something to stoke her anger to keep her fear at bay, or her low-key way of communicating with her equally-stubborn father--all of these things make Hallie seem real.
Unfortunately the rest of the characters don't quite have the fullness of personality that Hallie has. The villains of the story aren't given more than one or two characteristics, like a mean streak or an unusual ability to listen when someone speaks. The back-stories are outlined but not really filled in enough to give them proper motives and the ultimate goal of the main villain seems sketchy and unrealized. Boyd is probably given the most physical detail of any character, including Hallie, but his story isn't really addressed until toward the end of the book and is isn't quite enough to make him as well-rounded a romantic interest as he could have been. Dell is also a character I would have liked to have seen developed a little more. Who she was and what role she played in her own death are touched on but never described in detail and so it was hard to feel invested in caring in that part of the story beyond a superficial level.
The strength in "Wide Open" is in the mood Coates sets. Hallie drives the story with her angry disposition and her attempts to stifle her frustrations while dealing with family, friends and old enemies. Her journey is strange yet still recognizable because we've all had those moments of going back home and, no matter what our life experiences have been, feeling as if we're being shoved back into the same routine of our former lives. But in this story strange magic and ghostly apparitions are a stark reminder that Hallie's home has changed-- and not for the better.
"Wide Open" is slightly uneven in detail but rich in atmosphere. Hallie's character defines the personality of the book and it is a unique combination of anger, frustration, wistfulness, sadness and an abiding, if understated, love. I might have wished for more detail from the book, but it was certainly never lacking in mood and for that alone I really enjoyed it. "Wide Open" ends in its own open-ended fashion, leaving room for a sequel, and I sincerely hope I get the chance to spend some more time with Hallie.
4 out of 5 stars.
by Dan Wells, from the "mandatory pregnancy laws" to the idea of organic beings that look just like us, and in many respects the promise of the description was delivered very well. In other respects, I felt like I was reading a revised version of "Battlestar Galactica." 
on a whim-- one of those books that I read between my have-to-read pile as a palate-cleanser of sorts: something light and frothy that doesn't take too much brain power to process. And in that respect "Firelight" was a good pick because it's a fast, easy read. Where it doesn't hold up has to do with the genre it's trying to fit itself into. 
proves that McGuire is a writer that only gets better with each book. When I first read the description for "Discount Armageddon" I wasn't sure about the idea of a heroine who happens to be infatuated with ballroom dance, but it's a idea that works surprisingly well. Verity has an unusual upbringing as someone who grows up in a family of experts on monstrous creatures and is trained to defend herself from childhood. Unlike her siblings, who demonstrate a love of bombs and booby-traps practically from infancy, Verity learns to incorporate her love of dancing into her martial-arts training-- and as a martial artist who has preached for many years that dancing and fighting are very complimentary I heartily approve of this particular plot point.